Fall of the New Age Collector’s Edition Written Walkthrough

Writ­ten 4/5/2025, updat­ed 4/5/2025

  • Pub­lished: Join­dots
  • Plat­form Played: Nin­ten­do Switch
  • Price: $8.99 MSRP: $29.99 (Hid­den Object Adven­ture Bun­dle)
  • Rat­ed: E10+ (Every­one 10+)
  • Genre: Adven­ture
  • Date Released: June 1, 2023

This is a walk­through for Fall of the New Age — Col­lec­tor’s Edi­tion by Join­dots GmbH (Ger­many) and Shaman Games, played on the Nin­ten­do Switch. As of right now, there are no writ­ten walk­throughs eas­i­ly found on the inter­net and very few video walk­throughs that include the 2nd half of the game. I don’t like video walk­throughs, so this is pure­ly text. It’s not intend­ed to nec­es­sar­i­ly help you solve puz­zles as I tend to skip them when I find them irri­tat­ing or dif­fi­cult

Game Start

Watch the intro cin­e­mat­ics

Tutorial: Escape the Dungeon

  • Look out the win­dow
  • Check the pack­age on the ground. Get Pin, Sleep­ing Pow­der, and a note
  • Inspect the hay pile next to the bedroll. Push aside the hay 3x to get a Bot­tle­neck
  • Click on the bedroll and use the Bot­tle­neck to get the Hint Fer­ret and a Spoon
  • Check the water trough if you’d like
  • Inspect the door and use the Spoon to peel back the met­al

Puz­zle #1!! And the first in many lock­pick puz­zles. Use the Pin and your lock­pick­ing skills to escape. Basi­cal­ly, just rotate the pick in a cir­cle until the pieces trem­ble, then hold it there until a space appears and auto­mat­i­cal­ly lines up.

Imag­ine a clock­face:

  1. 8 o’clock
  2. 12 o’clock
  3. 5 o’clock
  • Leave the cell
  • Use the Sleep­ing Pow­der on the guard
  • Watch the cutscene (or skip it)
  • Hit the guard with the sling­shot
  • Look at the cloak and open the 2 pouch­es for a Tar­ry Rope and a Note
  • Go back to the cell and use the Tar­ry Rope in the water trough to get a Clean Rope
  • Check the downed guard
  • Get a Corkscrew and a Note
  • Look at the grate on the ground if you want
  • Go through the door­way and try to keep going to start a cutscene
  • Talk to Her­bert
  • Look at the knocked-out guard for a Wrench
  • Use the Corkscrew on the bar­rel to get a Cork and a Ring
  • Go back a room and use the Wrench on the each of the screws on the grate on the ground for a Gear
  • Back in the hall­way, use your Spoon on the sign on the wall for Pick­locks, anoth­er Gear, and a Note
  • Now for the lion’s head. Pick up the Scoop, then use the Ring

Puz­zle Time! Straight for­ward and easy: Use the Gear x2, then swap the pieces so that the water flows around all 4 gears, then pull the lever on the left to allow the water in

  • Attach the Clean Rope and descend!
  • Talk to Her­bert
  • Use your Pick­locks on the chest
  1. 4 o’clock
  2. 7 o’clock
  3. 11 o’clock
  • Take the Spat­u­la, a jew­el, and a Note
  • Use the Spat­u­la on the Can­dle to get it
  • Use the Cork, the Scoop, then the Can­dle on the row­boat and get the Ring
  • Look at the sluice gate in front of the boat and get the Pic­ture
  • Now check out the stat­ue next to the can­dles and get the Hal­berd
  • Go use it on the sea­weed next to the stairs for the Arm
  • Clear­ly, it goes on the stat­ue, so return it

PUZZLE! Ref­er­enc­ing the pic­ture, move both arms and the head to solve it.

  • Use the Ring, pull the lever, and watch the cutscene

Infiltrate the Cult House

  • Watch cutscene
  • Go into the house
  • Watch cutscene
  • Look at the bow of the boat and get Rope with Hook
  • Clear the jet­sam from the water and the Rope with Hook to get a Bull Head
  • Look star­board and get the Dis­guise Pic­ture. Note the rat-shaped depres­sion
  • Check out the junk pile for a Fish­er­man’s Dis­guise Hid­den Object Puz­zle
  • On the low­er right por­tion of the screen, open your Dis­guise Box and put togeth­er your dis­guise
  • Head back into the house for a cutscene
  • Open the cab­i­net and pick up the Pipette
  • Check out the poi­son jug on the ground and use the Can­dle on it
  • Remove the stop­per, then use the Pipette for a Pipette with Acid
  • Use your new item on the chest’s lock
  • Pick up the Wing Nuts, Pan Grip­per, and the Note
  • Grab the Fat from the ground, go back out­side, and use it on the lantern
  • Use the Pan Grip­per on it for Melt­ed Fat
  • Return inside and smear the Melt­ed Fat on the floor
  • Push the trash­can over and use the Wing Nuts on the hatch
  • With the help of the Note from the chest, solve the Labyrinth Puz­zle

Solu­tion: Left, Up, Left, Right, Up, Left, Left

  • Inspect the low­er right cor­ner for anoth­er Lock Puz­zle
  1. Between 9 and 10
  2. Between 4 and 5
  • Go for­ward
  • Watch the cutscene
  • Grab the Mag­net
  • Head back­wards and use the Mag­net inside the cab­i­net
  • Pick up the Bone Knife, go back through the vent, and use it on the rope to take out the guard
  • Inspect the win­dow and take the Scroll and Pin­cers
  • Use the Pin­cers on the vase on the side table to get a Rat Sign
  • Check the guard’s bag for a Note and Plate
  • Get anoth­er Plate from the mouth of the bear skin
  • Back­track to the boat and use the Rat Sign for the oth­er Bull Head
  • Head back inside through the vent
  • Use the Plates and the Bull Heads on the door

PUZZLE! This is a Roman numer­al math com­bi­na­tion lock puz­zle… except you don’t real­ly need to solve it because if you turn the han­dles, it will glow orange on the cor­rect answers

Solu­tion: III, VIII, III & V, IX, IV (3, 8, 3 & 5, 9, 4)

  • Go through the door
  • Look at the lion head door han­dles and take the Cipher
  • Watch the cutscene
  • Undo the knots on the book on the pedestal. Take the Cipher
  • Check out the weapon cab­i­net. Move the sword, 2 spears, and a shield to grab the Acti­va­tor Tool
  • Head over to the desk to use it on the inden­ta­tion

PUZZLE!! This is a 3‑part puz­zle. You’re play­ing the skull against the snake where if a char­ac­ter lands next to the oth­er, then you turn into the oth­er. Don’t over­think it.

  • Get a jew­el and Flame Liq­uid for your trou­ble
  • Sling­shot the Flame Liq­uid at the unlit can­dle above the weapon cab­i­net
  • Go down the stairs
  • Play the Ani­mal Hid­den Object Puz­zle
  • Head down the way
  • Inspect the books on the desk for a Rag
  • Look at the paint­ing
  • Pick up the Dag­ger, then use the Rag on the graf­fi­ti for the Crown Part
  • Use the Crown Part on the pouch on the ground and turn it to the right twice
  • Grab the Snake Fangs, Screw­driv­er, and Note
  • Back­track and pick up the Cipher from the boar’s head
  • Use the Screw­driv­er on the boar’s head for a Fang
  • Go back to the hid­den room and use both the Snake Fangs and Fang on the breast­plate on the wall
  • Get the last Cipher and a jew­el
  • Now, look at the mech­a­nism on the desk and use the 4 Ciphers on it.

This is a Puz­zle. Using the “quill” on the arm, press and hold the but­ton as you drag it across the white pan­els. You can only pass through them one time.

  • Now that you have the Deci­pher, back­track to the study
  • Use the Dag­ger and Deci­pher on the win­dow lock, then press the right but­tons in order (Drag­on Cir­cle, Lion, Drag­on with Jar, Dead Horse, Cult Skull Emblem)

*Note: Make sure you take the Deci­pher after the puz­zle. If you just pressed B to back out, you won’t actu­al­ly take it. If that’s the case, just return to the mech­a­nism and take it*

  • Open the win­dow and escape

Herbert’s Hideout 1

  • Talk to Her­bert, get Chain and Nun Dis­guise Pic­ture
  • Snag the Sponge from on top of the books on the desk
  • In the upper left part of the screen, take the Mini Crow­bar and the Note from the barred win­dow
  • Look at the lit­tle pot of oil in the mid­dle of the room
  • Pick up the Chain then use the Sponge to get a Sponge in Oil
  • Inspect the swords on the wall, take the Chain, from the 4th one, and clean them with the Sponge in Oil
  • Now, use the Mini Crow­bar on the swords. Note the sym­bols and the gem col­ors
  • Click on the met­al spi­der and use the Chains

It’s a PUZZLE. Remem­ber those swords with col­ors and sym­bols? Swap the sym­bols to match them to the code from the swords

  • Break into the floor chest with your Pick­locks
  1. Between 11 and 12
  2. Between 9 and 10
  3. Between 3 and 4
  4. Between 10 and 11
  • This opens up the Nun Hid­den Object Puz­zle
  • Go ahead and put the dis­guise togeth­er (the need for per­fect place­ment of the glue on the warts is infu­ri­at­ing!)
  • Click on the place where the spi­der puz­zle was to leave

The Alchemist and Librarian

  • Click any­where and watch the cutscene
  • In the alley­way next to the Alchemist’s house, get the Rock and Note
  • Inspect the door for the tall tow­er (library) and get the Alchemist Sign
  • From the sign next to the arch­way, get a Cog­wheel and jew­el
  • Next, check out the guard and watch the cutscene
  • Pick up the Pok­er from the right side of the arch­way
  • Use the Alchemist Sign on the Alchemist’s door
  • Look inside, and open the lock with the Pok­er
  • Sling­shot the Rock at the win­dow to allow the fumes to escape (because for some rea­son it won’t go out the open­ing you just made, your­self)
  • Talk to the alchemist who begs you to make a potion to help him rid the effects of the smoke
  • Look at the run­ning water track and take the Pouch with Herbs
  • Pick up the Cog­wheel from inside the grinder
  • Take the Test Tube from the workdesk
  • Leave the build­ing and watch as the library blows up
  • Rush over there and use the Pok­er to lever the door and get inside
  • Talk to the injured librar­i­an inside who also asks you for a potion. Same potion should be good. It’s some­where in the cel­lar of the library
  • Poke through the rub­ble to the right of the library for a Buck­et
  • Go back to the Alchemist’s house and use the Buck­et on the water there for a Buck­et Full of Water
  • Head over to the library and use it on the fire to the left
  • There’s a book on a pedestal near the librar­i­an where you get a Wood­en Die and a Hack­saw
  • Use the Hack­saw on the lock to the left of the build­ing. Heeey. The cel­lar door!
  • Go down
  • Look out the hole for a cutscene. Pick up the Oil­er and Met­al Bar from it
  • Look at the chest

Lock­pick Puz­zle!

  1. 10 o’clock
  2. Between 9 and 10
  3. 5 o’clock
  4. 9 o’clock
  • Take the Bowl and jew­el
  • Open the bot­tle, then use the Test Tube for Reagent
  • Use the Oil­er on the lad­der and extend it
  • On the book, turn the 2 sec­tions of the snake aside, then use the Bowl, and replace the snake parts
  • You got the Recipe!
  • Skedad­dle back to the Alche­my house, but before going in, take a clos­er look at the water wheel
  • Place the 2 Cog­wheels on their respec­tive places. Voila!
  • Inside, use the Wood­en Die to the left of the stove
  • Take the Gloves, look at the stove, and use them to open it up
  • Fix the coals with the Pok­er and then get a Coal
  • Before leav­ing, place the Met­al Bar in the coals, then pour the Reagent over top. Pull it out with the Pok­er for some Azu­rite (tech­ni­cal­ly, you’re not sup­posed to do this step just yet, but it saves time and you can!)
  • Use the Gloves on the boil­ing yel­low liq­uid atop the stove to get the Yel­low Retort
  • Use it on the puz­zle to the left of the stove

Steam Puz­zle! This a 3‑part puz­zle, super straight-for­ward and pret­ty sim­ple. Make a closed loop with the pro­vid­ed tiles.

  • Pick up the Nephrite and the Note
  • If you haven’t done it yet, go ahead and fol­low the direc­tions on the note for the Azu­rite
  • Toss the Azu­rite and Nephrite into the grinder for their pow­dered forms
  • Turn your atten­tion to the work­table now
  • First, hang up the Recipe
  • Then, place your ingre­di­ents and fol­low the direc­tions. Scoop the pow­der, boil the retort on the stove. Return the retort. Con­nect the hose. Add more pow­der. Remove hose. Crush Herbs. Pour liq­uid. Scoop Pow­der. BOOM! Med­i­cine.
  • Go ahead and cure the Alchemist
  • Give him the Deci­pher and he’ll give you a Right Arrow
  • Now, for the Librar­i­an. He will give you both Sleep­ing Pow­der and Tablets
  • Head back down to the cel­lar
  • First, use Coal on the col­or­less book
  • Then, use Tablets on the books on the shelf to the right

PUZZZLE. Armed with the clue from the book, move the tablets around to com­plete depic­tions. Easy peasey.

  • Take the Ver­ti­cal Arrow, then use both it and the Right Arrow on the back wall

ANOTHER PUZZLE!!! So many of them… This one is inter­est­ing. You place arrows in the seg­ments at the bot­tom to get your man to the flash­ing door before the bad guy gets you. Your char­ac­ter is always mov­ing for­ward.

Solu­tion: Right, Up, Up, Right, Down, Down, Right, Up, Up, Down, Up

  • Jump out the win­dow for a cutscene
  • Ugh. Anoth­er.…

Puz­zle… I per­son­al­ly hate these types of puz­zles, so I did­n’t play it and just skipped through. You’re sup­posed to move the col­ored pieces to their respec­tive sides.

Cultist Stable

  • Watch cutscene
  • Get Cultist Plans
  • Imme­di­ate­ly hit the thug at the door with the Sleep­ing Pow­der
  • Pick up the Scroll on the ground in front of the horse
  • Inspect the gate
  • Solve the Weapon Hid­den Object Puz­zle
  • Go through the gate
  • First things first: click on the hay/wood pile to get the Arrow Piece and a Note
  • Back out, and use the Arrow Piece on the stat­ue
  • Use the new Rings on the fall­en train­ing dum­my
  • Look to the right of that and pick up the Hatch­et from the stone bench
  • Look at the pedestal in the mid­dle and take the Rope. You’ll auto­mat­i­cal­ly tie the dum­my’s rope there
  • Back­track to the sta­bles and use the Hatch­et where you got the Scroll for a Whip
  • Now go forth to the field of hors­es and use the Rope on the horse’s sad­dle, then the Whip on the horse
  • Open the uncov­ered sta­ble door and head inside (So… Is the horse going to keep that door unblocked for­ev­er?)
  • Slide the block­er in front of the angry horse
  • Soothe the big guy (gal?) by run­ning the Tooth-Comb from the sad­dle on the wall on its tan­gled mane 3 times
  • Get the Thief Puz­zle Piece
  • Pick up the Sign for Box from the buck­et of feed on the ground
  • Remove the cloth on the chest for a Lock­pick Puz­zle (There’s a strange text at this point that says, “It seems the ban­dits have been keep­ing each oth­er com­pa­ny here for a long time!” …What does THAT mean?)
  1. Clos­er to 12 than 11
  2. A lit­tle past 6
  3. Between 11 and 12
  4. 7 o’clock
  • Open the chest for a jew­el and a Long Hook
  • Back­track to the begin­ning and inves­ti­gate the sleep­ing thug
  • Pick up the Thief Puz­zle Piece, then use the Sign for the Box
  • Grab the Mon­ey and head back through the gate
  • Employ the Long Hook on the wood pile
  • Snag the Wrench and head back to the begin­ning to use it on the horse stat­ue
  • Get anoth­er Thief Puz­zle Piece and jew­el
  • OKAY. Now you can go back to the sta­ble and talk to the ban­dit to the left of the lad­der
  • Give him the Mon­ey
  • He gives you the last Thief Puz­zle Piece
  • Head up the stairs and use all 4 pieces to start a…

PUZZLE! This one isn’t hard, but if you don’t think ahead, you’re going to get stuck

Hint: Start with the top and bot­tom

  • Up in the creepy, out-of-place torture/bdsm room, take the Nip­pers from above the fur blan­ket bed (Is this what Mar­la was refer­ring to ear­li­er…?)
  • Look at the fur blan­ket and pull away tufts of fur for a Wrench
  • Use the Nip­pers on the man­a­cle in the mid­dle of the floor to dis­lodge the Sil­ly Mask
  • Use the Wrench on the stocks in the back cor­ner for the Scared Mask
  • Pick up the Evil Mask from the win­dowsill
  • Next to the man­a­cles on the floor, inspect the floor hatch
  • Grab the Note and watch as your “friend” stabs you in the back (fig­u­ra­tive­ly)
  • Locate the 3 indents on the back wall
  • Use the Instruc­tions to Masks, and the 3 Masks
  • I won’t even call this a puz­zle. Just line them up prop­er­ly and receive your reward: a creepy Lever sit­ting on hands (Some­one went through some real trou­ble to fash­ion that mech­a­nism…)
  • Use it on the winch under the win­dow, toss the log out, and get out­ta there!

University Campus

  • Talk to Her­bert
  • Give him the Cultist Plans
  • Take the pic­ture of a jester he gives you, then look at his near­by cart

Ah. A Puz­zle. This one seems straight­for­ward, but it hard­er than it looks. Basi­cal­ly, find and high­light the one strand that is whole to unrav­el the lock. One wrong move and you have to start from the begin­ning.

  • Now for the Jester Dis­guise Hid­den Object Puz­zle
  • Put togeth­er your dis­guise
  • Head past the guards and watch the cutscene (or not)
  • Inside, click any­where to watch the cultist blow up the stat­ue
  • Look at the bro­ken stat­ue and take the Hoe from the back of it
  • Take the Fish from the stand near­by, and offer it to the cat on the oth­er side of the iron gate
  • Take the Mug
  • Go down the alley
  • Take the Sun­ray hang­ing off the end of the sign
  • Ignore the win­dow for now, and inspect the door on the left wall
  • Use the Mug on the lit­tle hand and use the lever
  • Pick up the jew­el and Pick the Lock
  1. A lit­tle past 9
  2. A lit­tle past 3
  3. 12 o’clock
  4. 8 o’clock
  • Take the 2 Grap­nels
  • Back­track to Her­bert, and use a Grap­nel on the green flag
  • Take the jew­el, make note of the sym­bols on the crenel, and inter­act with the but­ter­fly if you want to
  • Go back to the alley and use the oth­er Grap­nel on the gar­goyle
  • Go up and into the Uni­ver­si­ty cam­pus grounds
  • Take the Saw Han­dle from the Uni­ver­si­ty door
  • Take the Sun­ray from the Uni­ver­si­ty win­dow
  • Use the Hoe on the flowerbed for the Obser­va­to­ry Valve, and take the Leaf
  • Look at the stone globe and grab the Sun­ray
  • Back­track to the mar­ket stall and use the Saw Han­dle on the fish­bone for a Fish Saw
  • Go back towards Her­bert and use your new saw on the win­dow next to him to get the last Sun­ray
  • On your way back, stop by that win­dow in the alley
  • Pick up the Glue and use the Leaf on the glass to safe­ly pick up the Shard
  • Back on cam­pus, you can now use the 4 Sun­rays on the door to the Obser­va­to­ry

It’s a PUZZLE! This isn’t hard. You need to line up the sym­bols on the inside with those on the out­side. Each time you pick a slice, the ones lat­er­al to the oppos­ing slice will swap. Just poke things a few times and you’re done!

  • Check out the fire and take the Ring, mak­ing sure to click on the math there, and take the Scroll
  • Use the Shard on the bro­ken blue orb for a Map
  • Click on the stained glass for an Astrol­o­gy Hid­den Object Puz­zle
  • Inside the ele­va­tor, take the jew­el and Map
  • Back­track to the alley and use the Ring on the door at the end
  • Take the prof­fered Pipe and Potion
  • Return to the ele­va­tor and inspect the plumb­ing under­neath
  • Remove the fab­ric strips, replace the loose pipe, then use the Pipe where one sec­tion is miss­ing. Final­ly, replace the fab­ric strips (Hey, if it works, then why not?)
  • Acti­vate the pump han­dle inside the ele­va­tor and head up
  • Inspect the corpse of the astrologer
  • Take the Map and Note
  • Look at the table for a Ket­tle and the last piece of the Map
  • Click on the table with the plan­et mobile, and place the Map and Glue

Puz­zle! Rotate and place the pieces to com­plete Bas­tark’s the natal chart. As usu­al, it’s eas­i­est to place the edges. The game will auto­mat­i­cal­ly set the pieces for you.

After they’re in place, use the paint­brush in the glue and fol­low the lines to glue them. The game is super picky about you apply­ing the glue thor­ough­ly. When prompt­ed, pull the cord. When the skull appears, go ahead and back out

  • Go up the lad­der on the right side of the screen and pull the shut­ter open
  • Take the Stop­per that almost impales you
  • Look at the gear mech­a­nism on the upper left to add both the Stop­per and the Obser­va­to­ry Valve
  • Turn the wheel
  • Look out the open­ing to see a cutscene of the cultists blow­ing up the Uni­ver­si­ty build­ing
  • Back­track way out to the bro­ken stat­ue and use the Ket­tle on the gun­pow­der
  • Go back to the Uni­ver­si­ty win­dow and use the Gun­pow­der for some more fire­works
  • Head inside
  • Click any­where to watch the stairs col­lapse
  • Save the honk­ing goose. You’ll get a jew­el and a Goose Feath­er
  • Look up, and clear the debris on the bro­ken shelf for an Oar­lock
  • Inspect the sew­er door for a lock, but heeeey, we already found the code ear­li­er, so input it

Mini-Puz­zle

Solu­tion: Tri­an­gle, Cir­cle, Square, Dia­mond (1,2,4,3)

  • Take the Ocu­lar and Lens, then open the hatch
  • More bombs
  • Get the Library Sign by using the Shard on the ham over the camp­fire
  • Pick up the Trow­el by the chest and unlock it with Pick­locks
  1. 11 o’clock
  2. Between 9 and 10
  3. 10 o’clock
  4. 5 o’clock
  5. 1 o’clock
  • Snag the King and a jew­el
  • Use the Oar­lock on the boat, and spin it to pull up a Plate of Alchem­i­cal Lab­o­ra­to­ry
  • Find the Main­land on the explo­sive bar­rel
  • Wan­der out to the stone globe out­side and use the Main­land for Moun­tains
  • It fits on the the barred door inside for a super easy…

Puz­zle. Order the tiles prop­er­ly

  • Go back to the obser­va­to­ry and look at the tele­scope
  • Place the Ocu­lar and Lens
  • Now, look through the tele­scope, and ignore what the text says. Look around at the sky for con­stel­la­tions until you find the skull
  • Make sure you CLICK ON the skull to obtain the coor­di­nates before leav­ing the obser­va­to­ry
  • Run back to the Uni­ver­si­ty build­ing, enter the con­stel­la­tion code (213753), and push the red arrow on the side
  • Use the Goose Feath­er on the inkwell and draw a map on the pro­vid­ed parch­ment
  • Take the Cas­tle Sign
  • Check out the charred remains of the stair­well that col­lapsed and use the Trow­el to pull out the Uni­ver­si­ty Fig­urine
  • Go down to the sew­er
  • Install all 5 of the Fig­urines into the plate near the explo­sives

Oh… Math Puz­zle. Using all the num­bers, make equa­tions so that all of the num­bers on the hour­glass are solved for. Or just skip it. Like me.

Hint: num­bers like 27 and 21 have only 1 solu­tion, so do those first. Also, num­bers like 17, 11, 11, and 13 can­not be mul­ti­plied for. There’s noth­ing say­ing you have to use one from each side of the hour­glass

  • Take the one Climb­ing Glove and some­how dodge the super deaf cultists

Back to Town

  • Talk to Her­bert
  • Give him the Map, he gives you Scis­sors
  • Look on the desk and add your Climb­ing Glove to the one there
  • Noth­ing else to do, so head out­side and watch more explo­sions
  • Talk to the Alchemist who gives you per­mis­sion to take what you want because he’s done
  • Before going into his house, inspect the sign next to the arch­way
  • Use the Scis­sors for Ros­es, read the Note, and take the jew­el
  • Go into the alchemist’s house and take the Ash and Glue Recipe on the table
  • Look up the stair­well for a Phial
  • Go to the work­table and use the Glue Recipe
  • Fol­low the instruc­tions: Place the Phial, pound the Ash, pound the Ros­es, weigh the pow­ders, use the Phial, place the hose, scoop the pow­der, boil, scoop the pow­der, pour, take the Glue
  • Go back to Her­bert’s hide­out, and apply the Glue to the climb­ing gloves on the desk
  • Talk to Her­bert
  • Go out­side and use the Climb­ing Gloves on the far wall
  • Slog through the Climb­ing Mini-Game (You can’t skip it. I kept wait­ing, but there was nev­er an option)
  • Use the Map

Dark Forest

  • Wait… no cutscene? Wow.
  • Open the sack for a Pipe
  • Go right
  • Look at the creepy scare­crow and take the Note
  • Look up on the tree fork
  • Snag the Moss
  • Check out the tree stump with the axe
  • Rip off the Piece of Bark
  • Place the Bark and Moss, then click the axe to chop them up
  • Put them into the Pipe, then head over to the tree fork and blow the pow­der onto the glow­ing mush­rooms
  • Climb up the rope lad­der
  • Pick up the Spear and use it on the belts hang­ing to the left side for a Bear Skull
  • Look at the scene below and through the goop, if you’d like
  • Before head­ing down, look at the tree hol­low at the tip of the spears for a Note
  • Head back down and put the Spear to use again on the cage next to the tree for a Sheat­fish Skull
  • Go back to the begin­ing and look at the wag­on
  • Move the rutaba­gas aside and input the code you just learned from the Note in the tree (PDBOR)
  • Return to the tree and use the new­ly gained Set for Mini-Game on the chest

PUZZLE! This is anoth­er 3‑part puz­zle. You need to move all 3 blocks togeth­er into the glow­ing com­part­ments. It’s laugh­ably easy, except that the con­trols can be irri­tat­ing­ly sen­si­tive

  • Inside the chest take the Cam­ou­flage Dis­guise Pic­ture, Bull Skull, and jew­el
  • Place the 3 “Skulls” on the hut door to unlock it (The only one that looks like a skull is the cow skull)
  • Play the Cam­ou­flage Dis­guise Hid­den Object Puz­zle
  • Put togeth­er your dis­guise
  • Head through the thick­et, past the guard. For what­ev­er rea­son, he just dis­ap­pears after the cutscene
  • Pick the 4 Berries from the bush to the right
  • Head straight down the path
  • Use the Potion to get rid of every­one
  • Go to the right where the kids are
  • Take the Grinder Han­dle and Note from the ground near the fire
  • Look under the mid­dle cage for some sym­bols to take note of
  • Go back to the omi­nous rit­u­al site, and pick up the Cylin­der and Note from the ground on the right
  • Now look at the tree to the left of the screen.
  • Move the vines aside and use the Cylin­der

Mini-Puz­zle. Choose the 4 cor­rect sym­bols as seen under the cage. This was a lit­tle tricky because it’s hard to see the sym­bols and they’re rotat­ed

  • Pull the han­dle for a Scroll, Spi­ral, and jew­el
  • Now to solve the Sym­bol Hid­den Object Puz­zle inside the rit­u­al site
  • Pick up the Spongy Min­er­al
  • Go back­wards to where the guard used to be and check out the can­is­ter under the torch
  • Solve the Lock­pick Puz­zle
  1. 5 o’clock
  2. A lit­tle past 6
  3. 1 o’clock
  4. 10 o’clock
  • Appar­ent­ly it’s a portable min­er­al grinder, so toss in the Spongy Min­er­al and attach the Grinder Han­dle
  • You get Cor­ro­dent Pow­der
  • Don’t for­get to pick up the jew­el
  • Go back to kids’ cages and use the Cor­ro­dent Pow­der on the bas­ket with rocks
  • Use the Spear on it 3x
  • Talk to the kid who gives you Slugs (Even though he keeps call­ing them snails)
  • Go back to the wag­on room and use the Slugs then Berries on the met­al box
  • Take the Gears and run back to use them on the mech­a­nism keep­ing the kid in the left cage up

Puz­zle! It’s one of those gear puz­zles. The nice thing is that you can actu­al­ly test the mech­a­nism as you go by rotat­ing the han­dle

  • Talk to the kid who gives you a Spi­ral
  • Head back to the wag­on again and use the 2 Spi­rals on the box for a Growth Pro­mot­er
  • Run back yet again to the cages to use the Growth Pro­mot­er on the mush­rooms in the tree because, of course, your broth­er is in the last cage
  • Cutscene!

Wait… What?? That’s the end of the game?? BOGUS! Nah. This is the Col­lec­tor’s Edi­tion. Choose Extras from the Start Menu and Hit Play for the real end­ing!

Extras — Herbert’s Hideout

  • Talk to the alchemist who gives you a Potion
  • Use it on Her­bert
  • Look in the trash­can for a Note
  • Leave and use the direc­tions you found (Up, Right, Left, Up, Right, Right, Up, Left, Up)
  • Solve the Lock­pick Puz­zle
  1. 10 o’clock
  2. 7 o’clock
  3. 3 o’clock

Extras — Rescue Ray and Save Town

  • Talk to Her­bert, get Guard Dis­guise Pic­ture
  • Click on the black­smith’s work­shop for a Guard Dis­guise Hid­den Object Puz­zle
  • Put togeth­er the dis­guise
  • Look at the lit­tle lamp and grab the Den­tures and jew­el
  • Enter the door
  • Look at the scaf­fold­ing to the back, and fig­ure out the Mini-Puz­zle for a Ham­mer
I don’t know about you, but that han­dle looks a lot like a dia­mond
  • Look at the sign on the door and use the Den­tures on the one nail that’s com­ing loose
  • Knock the chock hold­ing the wag­on wheel with the Ham­mer
  • Climb up and use the Nail on the lit­tle hole in the win­dow (Unless the guard is very near-sight­ed, he does­n’t seem to care about your shenani­gans)
  • Take the Chis­el from the walk­way
  • Use the Chis­el then Ham­mer com­bi­na­tion twice on brick next to the door
  • First things first, look up at the books on the shelf
  • Open the spines for a jew­el, Stylet, and Token
  • Unlock the chest with your Pick­locks
  1. 11 o’clock
  2. 11 o’clock
  3. 11 o’clock
  4. Between 6 and 7

(I played this twice and both times this last one was extreme­ly picky on place­ment)

  • Take the Claw Clip and the Note
  • Open the bed cur­tains, move the pil­low, and make a rope from the Sheets
  • Pick up the Note. Scan­dalous!
  • Take the sheet off the bird cage, and use the Token to open the lock
  • Grab the Lever from around the remains of some poor ani­mal
  • Go out to the tow­er, pull up the ban­ner, slice it with the Stylet, and take the Iron Spheres
  • They fit per­fect­ly into what­ev­er that thing on the wag­on is sup­posed to be
  • Snag the Shaft and a jew­el
  • Go to the top of the tow­er walk­way and use the Shaft to pull down the lad­der
  • Don’t for­get to pick up the jew­el
  • Fire the con­ve­nient bal­lista to head across the roof (Guard still does­n’t see you)
  • Use the Sheets on the ran­dom holed ball in the gut­ter, tying a knot at the end
  • Place the Claw Clip next to the ball to send it fly­ing
  • Pick up the Wick from the back of the gar­goyle
  • Grab the Flower from its mouth, and a jew­el from its snout
  • Look at the win­dow across the way to make note of the sym­bols on the win­dow
  • Take the ran­dom Flower from the water pip­ing
  • Take the Pass from the crate
  • Take the King’s Signet from the dead guard
  • Head back to Mor­gana’s room and use the Flow­ers under the desk for a…

Puz­zle! You have to place the flow­ers in such a way that they all fit, roots and all. I always got to where there was one flower and then could­n’t fig­ure it out. SKIP TIME!

  • Take the Queen’s Signet
  • Back­track all the way to the lamp in the begin­ning and add the Wick to get a Lamp
  • Show the Pass to the guard and go in
  • Talk to Her­bert who gives you an Emp­ty Bot­tle
  • Run back to where the dead guard is and use both the King and Queen Signets on the door
  • Fill your Emp­ty Bot­tle in the water where the skele­ton is to get Bot­tle with Water
  • Take the Shell from the lever clos­es to you and…

Solve the Puz­zle. The sym­bols were on the win­dow to the Queen’s room

  • Head back to the dun­geons and sling­shot the Bot­tle with Water against the torch
  • Use the Lamp and talk to Her­bert
  • Give him your Lock­picks and he’ll give you a Scroll
  • Go down and past the dead guard and solve the Emblem Hid­den Object Puz­zle
  • Watch the cutscene
  • Sling­shot the Shell at the thing hang­ing on chain above where the dude is about the cut off Ray’s head
  • Pick up the jew­el and Hook which fits per­fect­ly on the han­dle to the left of the room
  • Go back to the under­ground reser­voir and use your new Gaff on the skele­ton under the water
  • Take its Axe which is per­fect for smash­ing the crates next door
  • Pick up the Lever
  • Return to the reser­voir and look against the far wall for…

THREE Puz­zles one after the oth­er! They’re all the same, just click the locks a lot until they all unlock, then use levers to open them. It’s not dif­fi­cult.

Hint: In case you’re miss­ing some items, one lever is in Mor­gana’s bird cage, and the oth­er is in the crates next door

  • Pull the big lever on the plat­form
  • Watch the cutscene

YOU’VE SAVED EVERYONE FROM EEEEEVIIIL

But wait… Mor­gana… isn’t DEAD. Dun dun DUNNN!

GAME COMPLETE

I appear to be miss­ing 2 jew­els…

Thoughts on the Game

This is the first game I’ve played from this devel­op­er! It’s in the same vein as many of the oth­er puz­zle games I enjoy, and there are things about it that I real­ly like and set it apart. I like that the hid­den object puz­zles items are all used and not just mind­less find­ing. There’s a path to the sto­ry that’s lin­ear and focused. While there’s a lot of back and forth like basi­cal­ly all of these games, I feel like (so far, this is the first game of this devel­op­er) the puz­zles are dif­fer­ent from oth­er com­pa­nies. In par­tic­u­lar, I found the hid­den object puz­zles to be the best ele­ment. The game employs sim­i­lar things that area famil­iar and help­ful like sparkling hints, Hints in gen­er­al, and puz­zle skip­ping, and very impor­tant­ly: cutscene skip­ping. The sto­ry is inter­est­ing and dif­fer­ent.

How­ev­er, like all games, there are things I did­n’t like much. This may be a trans­la­tion issue, but some of the text does­n’t real­ly make that much sense or raise eye­brows because they’re a bit off. The voice act­ing is ter­ri­ble, though that’s also typ­i­cal of these types of games. The graph­ics… eh. The scenery is nice, but the char­ac­ters are not all that attrac­tive. Some of the puz­zles and ele­ments are SO DARN PICKY that it’s irri­tat­ing. I don’t under­stand who the char­ac­ters are or what the sto­ry is about as a whole. Bugs! I hit so many bugs where the scene played before the scene played? Yes. Then some scenes played twice and I got con­fused. I had to re-do the glue-the-natal-chart puz­zle twice because it bugged out. Then I kept get­ting this bug when I’d try to scroll through Mar­la’s note­book to look for clues on what to do:

It would NOT clear, either, until I closed out the game and restart­ed

The worse offense of the game, though, is that the hint sys­tem is real­ly not all that help­ful at all. I got stuck in sev­er­al places, and because there aren’t so many guides to help, I had to rely upon the hint sys­tem which did NOT deliv­er when I was the most stuck.

Things I would like to see: An abil­i­ty to replay puz­zles in the extras sec­tion, rewatch­ing all of the cutscenes (not that I nec­es­sar­i­ly care that much, but I stopped under­stand­ing the game as a whole and want­ed to watch them to piece it togeth­er for this guide, but could­n’t), text speed skip­ping that won’t pre­vent you from see­ing all of the text before mov­ing on, and maybe some lore or infor­ma­tion on plot­line in the extras sec­tion after cer­tain parts of the game are reached.

All in all, I enjoyed it, and it ful­filled a desire to play these types of games. I love them and play them all unless they’re absolute­ly atro­cious.

DIY: Lunar New Year Lion Dance Lan Costume for Dog

writ­ten 3/10/2024, updat­ed 3/10/2024

What: A Lunar New Year/Tet, lion danc­ing or lan cos­tume for big­ger dogs

Why: The inter­net is full of these adorable cos­tumes for small dogs, but none what­so­ev­er for big­ger dogs

Sup­plies: Pat­tern Fab­ric, Fab­ric (~2yds of each col­or for a 70lb dog), Fur Trim, Pom­pons, Gimp Trim, Pins, Fiber Fill, Sewing Machine, Scis­sors, Mea­sur­ing Tape, Sharpie, Fab­ric Pen­cils, Thread

Cost: $129.25 in sup­plies, all oth­ers already owned

ItemPrice
Pel­lon Easy Pat­tern Trac­ing Mate­r­i­al ($1.82 x 4yds)$7.28
Metal­lic Gold on Rust Quilt Cot­ton Fab­ric ($3.99 x 3yds)$11.97
3′ White Marabou Fur Tape Trim by POP! ($15.19 x 4qty)$60.76
POP! Poms 5in Mul­ti­col­or 15ct ($1.99 x 1qty)$1.99
Sym­pho­ny Broad­cloth Poly­ester Blend Yel­low Sol­id ($2.99 x 2yds)$5.98
Wrights Prod­ucts Metal­lic Scroll Gimp 516″, Gold (1 qty)$11.50
1.96″ White Faux Fur Lace Rib­bon Trim 4 yds ($9.90 x 2 qty)$19.80
Singer Ball Head Steel Straight Pins size 17, 360ct (1 qty)$4.27
Dritz Red Toma­to Pin Cush­ion (1qty)$2.23
Hel­lo Hob­by Water Sol­u­ble Fab­ric Pen­cils Gray and Yel­low (1qty)$3.47
Total$129.25

Com­plex­i­ty: Mod­er­ate

Time: 2 week­ends

Quick Jump

Reference Images

Process

Planning

  • Legs - I knew right off the bat that I would not be adding legs to the cos­tume. It would be just a body drape and a strap under the bel­ly to secure it. My dog is not a huge fan of cos­tumes to begin with, and legs would just be too much espe­cial­ly if/when she decides to sit or lay down.
  • Vel­cro - would be the best option for any place that need­ed secur­ing
  • Head - I also knew ear­ly on that I want­ed the head and the body to be 2 sep­a­rate enti­ties. It could be that a Vel­cro, tie, or but­ton type of sys­tem could be imple­ment­ed to allow for attach­ment, but giv­en how much my dog hates hats, the option to just remove it was para­mount for her. It could have been sewn on as a hood, but I just pre­fer the idea of it remov­able. Bonus, as it leaves room for a col­lar
  • Chest — There’s the option here to either have it Vel­cro or to just sew it closed. I decid­ed to sew it closed
  • Ears — If you’ve put a cos­tume on any dog, you’ll know that they hate hav­ing their ears cov­ered. Total­ly under­stand­able. I want­ed to incor­po­rate that into the cos­tume and decid­ed to use the cos­tume’s eyes as ear holes
  • Mouth — Both for the cos­tume and the dog. The cos­tume would have been more com­plete and more obvi­ous had I added an attach­ment area for the low­er jaw of the lion! How­ev­er, I opt­ed not to for my dog’s com­fort and the like­ly chance she’d chew on it. Much more com­fort­able that way
  • There are sev­er­al things to con­sid­er when sewing: when do you want the thread to show? Can you hide it? If not, then you always have to decide which side is to be sewn on to give the best look on the out­ward side

Choosing supplies

What col­or scheme do you want? Lions for Lunar New Year come in a vari­ety of col­ors!

  • I opt­ed for a tra­di­tion­al red (with gold flakes!) and lat­er on added they yel­low for con­trast giv­en the col­or of my dog
  • Mea­sure your pup with a mea­sur­ing tape (treats or toys are help­ful) to fig­ure out how many yards of fab­ric you will need of each col­or. If you have a wig­gle mon­ster like me, then just go real­ly fast! You can always cut more of it off and fine tune it lat­er.
  • My 70lb dog has an odd body shape and I bought about 2 yards of each fab­ric col­or just in case

Ques­tion to ask your­self: how do you want to fin­ish it? Bias tape the edges? Make it dou­ble lay­ered with an out­side and under­side? Just sew the edges? That will fac­tor into what you need to buy

  • You’ll need your thread col­or to match the fab­ric unless you want con­trast­ing stitch­ing

Trim - if using, how do you want it to look?

  • I used this longer fur trim for the body and it was­n’t until I got it that I found it was­n’t fur at all… They were feath­ers. FEATHERS. The look is good, but feath­ers are fas­tened to the rib­bon tape by adhe­sive which is a mas­sive night­mare to work with.
  • If I had to do it again, I’d make sure to choose faux FUR. On the oth­er side of it, the faux fur I was able to find for the head, was rather dif­fi­cult to sew in because the sewn rib­bon edge was very thin and I’d have to fight the fur to sew it. At least there was no adhe­sive, though.
  • The Chi­nese gold gimp I used would have been cheap­er from the fab­ric store, except they were out of stock. If I were to do it again, I’d choose a wider width than that 516″ I got

Washing

Fol­low­ing the instruc­tions for your fab­ric, wash it first! The fab­ric will often end up shrink­ing a lit­tle if you’re using cot­ton. This way if you wash your cos­tume lat­er after mak­ing it (grant­ed you don’t use that feath­er trim), there’s less a chance of it shrink­ing then

Pattern Making

I’ve made cos­tumes for dogs in the past, but this time I was armed with pat­tern fab­ric. Total­ly worth the expense! I used to use news­pa­per, paper, even pee pads to try and have it drape bet­ter over the dog. Pat­tern fab­ric, ftw!

Test­ing the cutout… Used pins in the front. Be care­ful not to stick your dog!

Because I only want to do this project one time, I made it more com­pli­cat­ed for myself by cut­ting and sewing things 2x in the begin­ning. I uti­lized a test set from junk fab­ric, before cut­ting the real thing from the expen­sive fab­ric. That allowed me to fine tune the pat­terns in a way that I would­n’t be wast­ing final prod­uct mate­ri­als. It does take more time, but I found it to be worth­while in the begin­ning until I got back into the groove (had­n’t sewn any­thing in 6 years!)

Test pieces for the Hood, the Horn, and the Eye

GO TIME

Hood

In sewing, you sew inside out to hide the thread. Trace, cut, test on dog, pin seam, and then turn inside out to test again until hap­py

Using a Fiskar detail knife on a self-heal­ing mat to cut out the ear holes, stop­ping at the marked lines

The unhap­py mod­el
Body

At some point, you just have to go for it and hope for the best. In the begin­ning, I was only plan­ning on doing a plain red with white fur trim cos­tume, but then end­ed up decid­ing on adding the yel­low con­trast. Lion Dance cos­tumes usu­al­ly see a wavy fur trim, and I puz­zled for a half a day on how to do it. After con­sult­ing two peo­ple with much more expe­ri­ence, it turns out that the tech­nique of bast­ing would be what I’d have to do to achieve that look. That also meant MORE fab­ric and trim than I’d antic­i­pat­ed because the waves will add more sur­face area.

Result of spend­ing the time to elon­gate the yel­low accent pieces and cut­ting so the waves would fit well on the body piece

Then, after mulling it over dur­ing the work week, I decid­ed NOT to include the wavy look. Why? One, and main­ly, because of the extra mate­r­i­al: The hor­ri­ble feath­er trim I’d bought were already so very expen­sive, and I real­ly did­n’t want to buy any­more and already was not look­ing for­ward to sewing it in. Two, bast­ing is not some­thing I’m famil­iar with at all, and giv­en the last-minute start to this project, there was a high like­li­hood I’d not be able to com­plete it on time for the Lunar New Year.

Turns out, it was a good thing I did­n’t incor­po­rate the waves because though I knew I’d have trou­ble, I nev­er antic­i­pat­ed the extent of the trou­ble I’d have with that feath­er trim.

Dry fit­ting the pieces. The right image shows the feath­er trim

At this point, I end­ed up order­ing a true faux fur trim with a sewing strip attached to it. There was an option for fur trim rib­bon (think edge trim­ming for San­ta Claus cos­tumes), but that’s not what I want­ed

TAIL

Doing the tail got me my first real taste of using the feath­er trim. It was­n’t too bad at first: I start­ed it inside out which was a lit­tle tricky giv­en the sand­wich­ing of the feath­er trim. Then flipped it out, sewed in the edges, and then added the gimp (bad­ly) on top. It’s basi­cal­ly a nice tri­al run involv­ing the main mate­ri­als for the body, allow­ing the user to get used to work­ing the mate­r­i­al, and not mat­ter­ing as much how it looks. No one real­ly looks at the tail.

Tail!

If I had to do it again, I think I’d make the tail small­er.

Back Stripe and Faux Fur Trim

Now to sew on the design for the back of the beast and attach the tail after­wards!

The dog­gone fur was hard to force aside to sew prop­er­ly. I had to spritz it with water and use a comb to try and keep the fuzz out of the way of the nee­dle. Still man­aged to clog the bob­bin any­ways. Notice in the right­most image that I had the pin on the wrong side, mak­ing it hard­er to pull out while sewing. Doable, just hard­er

Faux fur trim sewn! Stitch lines on top because I could­n’t fig­ure out how to do this one inside out, and then adding the gimp trim for dec­o­ra­tion but also to try and hide the stitch­es. This is why I would have opt­ed for a wider gimp than the 516″!

Body Accent Trim

The yel­low accent trim is held onto the body by a line of sewn thread. It is able to flap around and there­fore moves with the dog’s move­ments. Sewn into the unat­tached side of the accent strips are the feath­er trim and the gold gimp

There’s a lot of mea­sur­ing and mark­ing (fab­ric pen­cils and sewing gauge rulers!) to be done to ensure an even place­ment of trim on the strip. Attach­ing the gold gimp on top of the feath­er trim was even MORE frus­trat­ing than just sewing the feath­ers in because you have to go through the increased thick­ness of both mate­ri­als while pow­er­ing through the adhe­sive two times in a row.

Goo Gone is your friend. I applied it at reg­u­lar inter­vals to the gunky nee­dle (also make sure your sewing machine set­tings and nee­dle are set up for heav­ier mate­r­i­al. Man­aged to break the uni­ver­sal nee­dle and had to swap for a thick one), and need­ed to undo the bob­bin thingy and Goo Gone that, too.

Once done with the trim on the yel­low accent, then it’s time to attach it to the body fab­ric! No pres­sure now! Mea­sure twice, cut once! Mea­sure and pin the yel­low accent, then sew that bad boy!

Left: Lay­ing it dry; Cen­ter: Pin­ning. Note the upside down accent; Right: SEW AWAY. At least it’s just fab­ric this time

This is a close­up of the zigzag stitch I used through­out the cos­tume to close up the all stitch­ing ends. I real­ized after a few fit­tings that my dog is a dog and will shake and run and jump, so not only would the zigzag stitch be strong, but it end­ed up being the only way to seal the gold gimp to pre­vent it from fray­ing and com­ing apart at the ends

After much frus­tra­tion and headaches, here is the fin­ished body!

Belly Strap

Mea­sure out the length need­ed for your bel­ly strap and where you want to place it on your dog. Choose the Vel­cro you want, too. Adhe­sive Vel­cro is not advised. You sew direct­ly on top of the Vel­cro itself to secure it

WARNING: Make sure you under­stand how to posi­tion the Vel­cro before sewing it in! I messed up and had to undo one side because I acci­den­tal­ly posi­tioned one on the inside. The pic­tures shown are the cor­rect way to ori­ent them on the straps.

Sew the dou­ble-lay­ered straps (two-sided to look pret­ty and give some strength), and then secure the Vel­cro! I used a square pat­tern with zigza­gs on the ends for the loop side, and then an X‑pattern on the hook side

Horn

This is pret­ty straight­for­ward. Just cut out the shape, dou­ble up in the fab­ric, sew the edges, leav­ing the bot­tom open for poly/fiber fill, and turn it inside out! A chop­stick is a won­der­ful tool for both stuff­ing and forc­ing the tip of the horn out

Eye

This part requires a lit­tle bit of draw­ing. Cut out the cir­cle for the eyes on both black and white pieces. Then on the black pieces, draw (white or yel­low fab­ric pen­cil) and then cut out the eye design. The black will go on the white.

LEFT: I cut all 4 pieces at one time; MIDDLE: Fold­ed the black in half to make cut­ting eas­i­er; RIGHT: Cut design on white

Here, you can adhere it how you’d like. I end­ed up just sewing on the out­er ring to the hood fab­ric togeth­er with the faux fur trim and for­get­ting com­plete­ly about the rest of the eye. Plus, I did­n’t have any prop­er fab­ric adhe­sive, plan­ning to go back lat­er and do it, but I nev­er did.

This is a close­up at the faux fur trim I used. It has a rib­bon in the mid­dle to sew onto things. It was nice, but a lit­tle tricky to do. Here I sand­wiched the trim rib­bon between the eye fab­ric and the hood fab­ric with black thread

Finishing Up the Hood

After the eye, the only things left are the horn, the rest of the faux fur trim, head secure­ment, then the pom­pons for the nose

An una­mused mod­el (I think it was like 11pm), Messy machine and hand stitch­ing of the filled horn to the hood

Attach the trim to the rest of the head, test on the dog, and then secure the hood ties (Vel­cro here)

After that, hand sew col­ored pom­pons for the nose and oth­er face accents (I added a line of gold gimp to the cen­ter of the back up to the horn), then BOOM! You’re DONEDONEONE!

Fine Tuning

Now, what I ran out of time to do and meant to go back to do was fine tune the cos­tume. Adhere the eye down, clean up the edges. Fig­ure out how to attach the hood to the body. I would use bias tape made from the same fab­ric to seal the edges. I’d use ties to con­nect the head and body togeth­er. I’d con­sid­er a jaw for the head. Hand-sew a few incon­sis­tent lines to straight­en them out. How­ev­er, I did­n’t do any­thing! No one real­ly noticed or cared except for me, so I guess it was okay.

Result

This is a child wear­ing the cos­tume

The cos­tume was a hit at the Lunar New Year event. My dog did­n’t mind wear­ing it, and both my niece and my nephew fought over their chance to don it. No rips! Suc­cess all the way around! I don’t regret not adding waves to the fur at all giv­en the feath­er mate­r­i­al (which kept los­ing feath­ers), and def­i­nite­ly would not rec­om­mend using it for a cos­tume like this. If I was using a true faux fur trim, I would try to make it wavy.

My absolute favorite part of this cos­tume and the part I’m most proud of is the ear holes! It’s so cute and the biggest rea­son my dog was­n’t too both­ered by the hood!

Hap­py sewing!